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| Access to Diverse Cultural Content (Summary)
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SCOPE
The issues dealt with in this guideline include:
Digital content
The Internet
Public libraries and partnerships
Cultural
Community Information and content creation
The process of digitisation of the library’s own holdings is covered under
Digitisation
POLICY ISSUES
See also music &
multilingual issues.
European cultural policy centres around respect for cultural identity and diversity and supports actions designed to stimulate the preservation, development and promotion of culture. This is evident both in the initiatives of the European Union (see: Treaty on the European Union signed on Maastricht –
Article 151 and the
Council of Europe). (For
a discussion on this see the paper by Joost Smiers: The
role of the European Community concerning the cultural article 151
in the Treaty of Amsterdam; and Antonio Zapatero: 'Ten years
on' Reflections on Article 151 of the EC Treaty: expectations and
outcomes, Council of the EU, 12 December 2001.)
In order to implement the above objectives a number of European actions have been initiated, including:
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CULTURE 2000 – a programme passed by the European Parliament on February 14, 2000, and designed for the years 2000 and 2004 to promote the common European cultural zone through the promotion of co-operation, cultural dialogue, learning about the cultures and history of European Nations, supporting cultural diversity, developing new forms of expression, better access to and participation in culture for the largest possible number of EU citizens).
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The
eContent programme, commenced in 2001, aims directly at supporting the production, distribution, and consumption of European digital resources (including those in libraries, museums, and archives) as well as in promoting linguistic diversity in global networks.
The Europe and Culture portal
gives information about what is happening, fields of activity,
funding, and lists individual national websites.
(http://europa.eu.int/comm/culture//index_en.htm)
The report of a meeting held in
London in July 2001 which deals with many relevant issues and
includes links to key documents can be found at http://www.cultivate-int.org/issue5/giants/
More and more cultural resources and information are now becoming available electronically and online. Public libraries need to offer a significantly wider range of cultural services and to help the process of cultivating Europe’s local community cultures in all their diversity.
Public libraries need to work together with other memory and heritage institutions such as archives and museums to create new resources covering local history, cultural events, local cultural content and community information. The most advanced countries in this area are those of Northern Europe, especially Scandinavia. In the United States, Ireland and
the United Kingdom, interest in family history and genealogy has been generated by a long tradition of migration.
The activities of libraries, archives, and museums must be co-ordinated on the national, regional and local level.
Examples of good practice is
Resource in the UK and
the Norwegian Archive, Library and Museum Authority.
GOOD PRACTICE GUIDELINES
Public libraries across Europe have long been involved in a wide
range of activities designed to support access to culture on the
basis of promoting readership, books and collecting the literary
heritage of the region. Libraries must continue to preserve and
provide access to the written heritage, and encourage the
publication of works of minority and specialized interest, working
to ensure that commercial considerations do not prevent
publication. Digitisation and the development of the Internet
provide a platform for these sorts of publication. Traditional
activities such as meetings with authors, competitions, games,
exhibitions, storytelling addressed predominantly to children have
been designed to encourage them to start their adventure with
literature and the book and to use the library(see also
children). Reading groups for
adults are also now common in some countries and contribute to lifelong
learning.
Digital content
Museums, archives and other heritage organisations are digitising their collections at a rapid rate. More and more sophisticated methods of
finding images are becoming available.
National museums sites include those of real museums
The Hermitage, St Petersburg,
The Metropolitan, New York
Tate Modern The
Louvre, Paris
Design Museum, London the
Public Record Office and those in virtual form, for example
Scottish Cultural Resource Network (SCRAN).
There are many projects designed to enable everyone to participate
more fully in the arts and culture, such as Kulturnat
Danmark, Kulturnett Norge,
Kulturnät Sverige, Saganet,
Culture Online, NOF
digi, a Netful
of Jewels, Archives
On-line, and OpenDrama.
(see also Links.)
Increasingly digitisation is now being carried out in locally-based cultural heritage
institutions (see also Links.)
The Internet and cultural resources
Librarians need to acquire the expertise to assess the general quality of Internet sites, without necessarily having the specialist knowledge to assess a website on a specialist subject.
The search engines currently available to find cultural resources on the Web each have their strengths and weaknesses: (see
Phil Bradley &
Searchenginewatch; see also
search engines in the Resource Description Guideline).
There are innumerable high–quality subject gateways in the World Wide Web. Public Libraries need to consider in which areas they add value by compiling gateways or guides to the Internet, bearing in mind the resources involved and the need to keep them up to date.
Access to local cultural and community information is an area not well covered by other gateways or general search engines and one in which public libraries are well placed to make a key contribution.
Public libraries and their cultural partner organisations
Access to cultural resources requires
co-operation between public libraries and other institutions including heritage institutions,
other libraries, cultural associations, culture centres, foundations, social associations, associations of artists, historical societies, religious organisations, other NGOs, schools and local and central authorities.
Local history and family history,
which underpin cultural identity and stimulate a sense of
community, are key subjects for libraries, archives and museums,
and important areas for co-operation among them.
Co-operation is also desirable
with audiovisual concerns such as film producers and television
companies so that films and television programmes can be digitised
and made available over the Internet. In 2002 the EC organized a
film heritage week, and there will be "cinedays" in
October 2003.
Co-operation is also important at the international level, for example in the case of services provided to multilingual communities (see
multilingual) between institutions in areas located near national borders and services to ethnic groups, whose areas often go beyond national borders.
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| Access to Diverse Cultural Content (Summary)
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